Found and Filed

A collection of the weird and wonderful things that I find on the internet, as well as my own occasional ramblings.

We’re makin an offer on the house we like in the town we’re moving to that is so small it has no stoplights. The nearest town that is more than a wide bit in the road is an hour away.

(Indeed, an astoundingly small proportion of arguments ‘for free speech’ & ‘against censorship’ or ‘banning’ are, in fact, about free speech, censorship or banning. It is depressing to have to point out, yet again, that there is a distinction between having the legal right to say something & having the moral right not to be held accountable for what you say. Being asked to apologise for saying something unconscionable is not the same as being stripped of the legal right to say it. It’s really not very fucking complicated. Cry Free Speech in such contexts, you are demanding the right to speak any bilge you wish without apology or fear of comeback. You are demanding not legal rights but an end to debate about & criticism of what you say. When did bigotry get so needy? This assertive & idiotic failure to understand that juridical permissibility backed up by the state is not the horizon of politics or morality is absurdly resilient.)

—China Mieville, reminding us needy bigots what free speech actually means (via angryampersand)

(via angryampersand)

The first thing I noticed on my first day on the job is that in retail no one sits. Ever. It didn’t matter if it was at the beginning of my shift, if the store was empty, or if my knees, back, and feet ached from hours of standing. Park your behind while on the clock, went the unspoken rule, and you might find it on a park bench scanning the want-ads for a new job. Another quick observation: Working in retail takes more skill than just selling stuff. Besides the mindless tasks one expects—folding, stacking, sorting, fetching things for customers—I frequently had to tackle a series of housekeeping chores that Stretch never mentioned in our welcome-aboard chat. Performed during the late shift, those chores usually meant I’d have to stay well past the scheduled 9 p.m. quitting time. Mop the floors in the bathroom, replace the toilet paper and scrub the toilets if necessary. Vacuum. Empty the garbage. Wipe down the glass front doors, every night, even if they don’t really need it. It was all part of the job, done after your shift has ended but without overtime pay.

My Life as a Retail Worker: Nasty, Brutish, and Poor (via azspot)

It’s the fine print that comes with jobs like this that often make them burdens. Ballooning expectations for as minimal pay as possible.

(via invisiblelad)

Everyone should work retail, a retail Christmas preferably, once in their lives. It makes you a better customer.

(via mommapolitico)

The store I worked at required us to wear dress shoes, so dressy shoes, standing and walking for a minimum of 8 hours a day. I wound up ripping the ligaments in the bottoms of my feet. But since I was making retail money, I couldn’t afford insurance. I only got medication through the good graces of one of the nurses at my doctor’s office. I got special permission to wear plain black tennis shoes, but boy were my managers pissy about that. One of the women I worked with had back problems. She had an excuse from a chiropractor to miss a day of work. (Three absences and you were fired. Doctor’s notes were the only acceptable excuse.) Our general manager held up the note at a meeting and said only notes from *real* doctors would be accepted.

(via pileofmonkeys)


everybody I know has used heterosexuality as a stepping stone to coming out of the closet as gay or bi, so I think we need to have a serious conversation about whether heterosexuality exists

(via thisrevolutionwillbeliterary)





HIMYM AU: Barney finds out that Robin works for S.H.I.E.L.D as Agent Hill (Part 1)

They’re mixing two different universes together and yet it still makes waaay more sense than the finale.

….you know what, it really does.

HIMYM finale headcanon accepted. And then they pretend to get divorced and Robin/Maria distances herself from her friends and a couple years later someone captures footage of Maria Hill during a big superhero battle and she has to come clean to everybody and THEY ALL RESUME BEING FRIENDS AND NONE OF THE REST OF THE FINALE HAPPENS and also, later, the group accidentally meets the Avengers, and Barney spends the entire time convinced Tony is hitting on Robin (which Tony plays into to screw with him) and Lily, Tracy and Natasha disappear somewhere to bond and Steve is both charmed and weirded out by Marshall and Ted is left to try and socialize with Clint, who just sits there quietly letting Ted dig himself a deeper and deeper hole as his questions and overtures get more and more awkward. 


So Tony lets Barney off the hook and Barney immediately starts awkwardly fanboying all over him, and Clint lets Ted off the hook and cracks up and Ted is all “wait what you have a facial expression?!

And Robin/Maria goes to find Natasha and drink until the whole thing is over. Never again. This is never happening ever again. (It happens again.)

(via gyzym)


Tessa is alternating between licking and biting my foot, and if I twitch, I get the claws. Rotten creature. If he’s not careful, I will dump him outside in favor of one of the cute kittens the next door kitty just had in our backyard. (No, I won’t. I love him. He’s terrible. And loving. I just have to wait until he stops being a weirdo kitten.) (But damn the babies in the backyard are so cute. There is a calico and she has an orange spot that has a black outline. I want to keep her, but seriously, three cats is the limit around here.)

I wrapped my foot in a blanket for safety and the little jerk bit and pulled until my foot was free and then resumed the bitiey grooming. Fortunately, he soon after backflipped himself off the couch. Worst.


A frequent complaint I seem to have with TV, especially within the last 5 years or so, is this industry standard that killing off characters is a way to keep a story fresh and exciting. this feels especially true in supernatural/fantasy esque stories. Like these writers want to keep us on their toes, and they aren’t creative enough to do it in any other way other than teasing a potential death, building it up, and (9/10 times) eliminating a mostly minor character who is well liked and under developed. The show can collect its shock and awe points and generate some internet buzz and keep people talking into the next season.

Writers for these shows are like broke addicts huffing paint thinner for a quick fix. Its lazy and unprofessional. More that that, its predictable. It eliminates effort to create truly stimulating art. It eliminates  the responsibility that writers have to pump out a finale/pre finale/episode that will shock you by it’s own merits. It’s part of a culture of television that bores and frustrates it’s most passionate viewers, who groan upon hearing the announcement that there will be “two shocking deaths” by the end of the season. “Of course there are”, we think. There always is. Who is the most expendable. Which character did you decide to shortchange for the sake of shock this time? How many episodes will it take for that character’s name to leave the lips of the surviving cast forever; for that character to be erased and cemented as a plot device in an unnecessary attempt by writers to deliver a promise of unpredictability and brutality to it’s fans. 

But heres the thing. True Detective wrapped up it’s first season a few months ago without a single major/supporting character death. Despite it’s wild west feel, almost every major character in Deadwood survived it’s finale. The most shocking, skin crawling scenes in Breaking bad weren’t the moments of a characters death, but the scenes of quiet, tension between two characters that were still alive. Doctor Who is one of the longest running scifi/fantasy shows of all time and the large portion of it’s successful run was spent preaching and practicing mercy. 

and i’m not saying that character deaths are inherently useless; or even that killing off multiple characters is inherently problematic. Some series manage to pull this off without a hitch; the difference being that the deaths in question all work fluidly within the world the death occurred. When people talk about Breaking Bad, nobody complains that ____ shouldn’t have died. You don’t hear ASOIAF/Game of Thrones fans say that ____ was unfairly killed off.

There is a level of acceptance in these deaths because they were all centered around pragmatism and story telling, not thrills. It doesn’t feel as if somebody tossed names into a hat and conjured up a cheap exit for the unlucky winner(s). Writers aren’t beating their chests and teasing spoilers about these deaths to drum up viewership or trick fans into thinking that the stakes are higher than they actually are; and that killing characters is akin to great/moving writing.

This new trend where developing characters and plucked from the their stories by ambivalent writers who have either dug themselves into a hole or can’t conjure up enough organic tension really does nothing but frustrate fans and make us believe a little less in the shows that we have attached ourselves to. im pretty sick of it. 

(via thisrevolutionwillbeliterary)

How Well Do Your Followers Know You?

Fill this out in my ask box! One point for every correct answer. Ten points total. I’ll reply with your total score!

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(Source: kanrose, via magesmagesmages)

Tessa is alternating between licking and biting my foot, and if I twitch, I get the claws. Rotten creature. If he’s not careful, I will dump him outside in favor of one of the cute kittens the next door kitty just had in our backyard. (No, I won’t. I love him. He’s terrible. And loving. I just have to wait until he stops being a weirdo kitten.) (But damn the babies in the backyard are so cute. There is a calico and she has an orange spot that has a black outline. I want to keep her, but seriously, three cats is the limit around here.)


if the broadway and theatre community dislikes bootlegs so much and don’t want people filming their shows they need to work on making theatre a more accessible form of media by filming shows professionally because you know they talk a lot about being a very open welcoming community but don’t do anything to make that community welcoming to people who can’t afford to see shows or people who live in rural areas and are literally unable to attend shows at all

(via thisrevolutionwillbeliterary)